Suppressed Sands

2 min


After the astonishing success of my first novel, I became a household name. My book would come to be stored in every library, taught across the globe in schools. From a distance, I have to admit that I secretly relished in the adoration. The articles praising my work. The televised book club discussions. To be seen as successful, thought of as a talent—who wouldn’t want that? And, if I am truly honest, the quest to figure out my identity rather amused me.

I was at the pinnacle of my success. Still, even now, after all these years of silence, my alias—Lena Marits—is muttered in literary circles with a melancholic reverence, spoken in the hushed tones reserved for the fallen heroes of legacy and myth. My stories were once alive. My words conjured the dreamscapes of childhood imagination—vivid and magical, filled with wonder and marvel. And a little sprinkle of the impossibly possible.

Alas, as my fame heightened, so too did the attention. The media became invasive. People pried into my inner world, seeking out my identity with a fervor and dedication that I could not fathom. When the Daily Mail outed me that late winter day in December, my world began to spin on another’s axis. I, the woman behind Lena Marits, became a spectacle. Followed and prodded, a specimen to examine. Every word I had written became a fragment of myself; words once given freely, now exploited and vulnerable. My cherished pen name had been a sacred cloak of freedom but now felt heavy, like manacles around my wrists.

No. Lena Marits was their creation, not mine. I retreated from the world and from writing, seeking solace in my solitude. My imagination had been tainted by the vindictive reality of a damaged world.

But lost creativity is a cruel mistress. She would visit often, bringing me outlines of half-remembered fantasies and broken fairy tales of fanciful endeavors. Each attempt to write was an exercise in futility.

The death of my creativity did not manifest in the form of a revelation. It was a silent betrayal that came to me on tiptoe. I remember the evening vividly, as one might remember a wedding day. I yearned to put pen to paper, the need deep within me aching to become whole again, but the incisive white of the page stared at me in silence. I longed for a dragon to reach out towards me, flames igniting some unmanifested dream. It was no longer who I was. But I willed it to be. And so it would become, of sorts. A tainted version of me. Older. Less inclined towards the fantastical. Real.

Arid-Suppressed Sands. A Memoir. Chapter 1.

By Elsa Martin

My mind was empty. Empty like abandoned desert sands. The silence cruel, stretching endlessly in front of me. Unbearable. The heavy, claustrophobic rays of the sun relentless, burned, peeling layers of inspiration from my skin in vicious chunks.

The air—suffocating—mocked me. It glistened with the specters of creation, mirages of completed works that vanished into nothingness on my approach. Stories, words—unreadable—danced on the horizon like mirages, suspended momentarily before disintegrating into ash and unrelenting sand.

I searched for freedom among desolate memories. Begged for a revelation. My thoughts, like footsteps on fine sand, retreated, sinking into themselves. Behind me, no footsteps remained. The ground beneath my feet a spiteful tirade of monotonous desolation.

The sun dwindled into nothing, and the night began its cold ascent. The barren blackness offered no release. I was alone and defeated, the unyielding cursor blinking like a metronome of inadequacy, cackling sardonically.

As I sat, desperation attacked like a horned viper, hissing and screeching, its venom seeping through me. I screamed into the abyss—the sound returning back to me, a gift in suppressed echo. My words were lost forever.

  • dalee Generated
  • This is my own work and has not been generated in whole or in part by AI

Celia

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